One of the Quattro Mori

Livorno, Italy

Canon G9

Pavilions and pennants

Cannes, France

Olympus E1 with 14-54mm lens

Old railway carriage

Wynyard Woodland

Canon G9

Las Vegas Amusements

Seaton Carew, Hartlepool

Canon G9

Millenium beacon

Seaton Carew, Hartlepool

Canon G9

Collecting

North Gare, Hartlepool

Olympus E1 with Carl Zeiss 180mm f2.8 lens

And finally…Rooftops 10

Seaton Carew, Hartlepool

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Rooftops 9

Seaton Carew, Hartlepool

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Rooftops 8

Seaton Carew, Hartlepool

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Rooftops7

Seaton Carew, Hartlepool

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Goin fishin

Seaton Carew, Hartlepool

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Rooftops 6

Seaton Carew, Hartlepool

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Rooftops 5

Seaton Carew, Hartlepool

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Rooftops 4

Seaton Carew, Hartlepool

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Queen of Scandinavia

Norweigen fjords

Olympus E1 with Zuiko 14-54mm lens

Ships that pass (again)

Norweigen fjords.

Olympus E1 with 14-54mm lens.

The Green

Seaton Carew, Hartlepool

Olympus E1 with Zuiko 14-54mm f2.8 lens

Window shutters

Mahon, Menorca

Olympus E1 with 14-54mm lens

Rooftops 3

Seaton Carew

Olympus E1 with Zuiko 14-54mm lens

Rooftops 2

Seaton Carew

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Rooftop 1

Seaton Carew

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Bridge brickwork

Wynyard Walkway.  Canon G9.

Old railway bridge

Wynyard walkway.  Canon G9

Ancient and modern at sunset

Hart Village

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Ancient and modern at sunrise

Hart Village, Hartlepool

Olympus E1 with Carl Zeiss Sonnar 180mm f2.8 lens.

Hartlepool Nuclear Power Station

One for Restless Jo.

Olympus E1 with Carl Zeiss 180mm f2.8 lens and photoshop

The one in the middle

Seaton Carew

Olympus E1 with Carl Zeiss 180mm f2.8 lens

A big Boobie!!

As you might be aware, I have been posting numerous photos depicting, in my words, ‘The chemical works‘. I have to confess that I have made a big boobie! I was strolling around Google Earth this morning, when to my suprise, I discovered that this location is indeed, the Redcar Steel Works. My apologies to anybody who feels they need an apology. I should have checked on Google Earth in the first place.

Andy Capp

Hartlepool Headland.

Olympus E1 with Carl Zeiss 180mm f2.8 lens

For those who have never heard of Andy Capp

Characters and story

  • Andy Capp
  • Florrie “Flo” Capp
  • Chalkie White
  • Ruby “Rube” White
  • Percy the rent collector
  • Jackie the barman
  • The Vicar
  • Flo’s Mum

Also various constables, barmaids, barmen, referees, footballers, pub locals and door-to-door salesmen.

Andy is a working class figure who never actually works, living in Hartlepool, a harbour town in northeast England. The title of the strip is a pun, a perfect phonetic rendition of that region’s pronunciation of the word “handicap”, as well as a reference[citation needed] to the main character’s trademark flat cloth cap.

His hobbies include pigeon racing, darts, snooker (his cue’s name is “Delilah” [2]), football (which always involves fights with the other players, and frequently ends with Andy being sent off), occasionally cricket and rugby, betting on horses, getting drunk in the local pub (often falling into the canal and being fished out by a constable, and always, seven nights a week, arriving home late as a result), fishing (and not catching anything bigger than a goldfish), womanising, loafing on the sofa, and fighting with his long-suffering wife, Florrie (also known as “Flo”).

Andy’s iconic plaid cap is always pulled down over his eyes, even when he is seen napping or bathing. He is often unshaven, frequently intoxicated (indicated by a prominent red nose and dishevelled clothing), lazy, freeloading, belligerent and confrontational—but just as frequently lovable (he always refers to Flo as “pet”, and will instantly “bop” anyone who dares to be rude to her). He was often seen with a cigarette dangling from his lip until the 1980s. Similarly, Andy no longer beats his wife,[3] because of concerns about the depiction of domestic violence (which was usually portrayed in a highly stylised manner, as an iconic cartoon smoke cloud with fists and feet protruding). Instead, they now attend marriage counselling.

Andy and Florrie are always on the verge of poverty. Although Flo works regularly as a charwoman, Andy is unemployed and lacks motivation. Rent on their flat and its contents is constantly in arrears, and Percy Ritson the rent collector despairs of ever being paid. Their furniture has been repossessed on several occasions. Somehow, they always manage to recover it, and Andy is always able to afford beer and gambling money, usually by borrowing from Florrie. Jackie the pub barman is regularly seen as well. Almost all the characters occasionally “break the fourth wall” by delivering asides directly to the reader, usually in reference to Andy’s low character.

Early on, the Andy Capp strip was accused of perpetuating stereotypes about Britain’s Northerners, who are seen in other parts of England as chronically unemployed, dividing their time between the living room couch and the neighbourhood pub, with a few hours set aside for fistfights at football games… But Smythe, himself a native of that region, had nothing but affection for his good-for-nothing protagonist, a fact which showed in his work. Since the very beginning, Andy has been immensely popular among the people he supposedly skewers.

—Don Markstein, Toonopedia

The strip almost exclusively takes place in one of three locations: the pub, the street, or inside the Capps’ residence at No. 37 Durham Street (generally with Andy on the couch and Florrie yelling from the next room). Less frequently visited places include the race track (although Andy frequently bets by listening to the radio, thus saving him the trip), the marriage counsellor (in one memorable cartoon, a panoramic shot is given of the counselling office, with several file cabinets dedicated entirely to the Capps), and the football pitch (where Andy is either being sent off, or carried off on a stretcher).

Andy’s and Flo’s best friends are their neighbours Chalkie and Rube (short for Ruby) White. Chalkie is like Andy, a hard-drinking, hardscrabble, working-class type who can often be seen sharing a pint with Andy at the corner pub. However, Chalkie seems to be mellower than Andy, and more tolerant of his wife. Also unlike Andy, Chalkie was known to be employed, if intermittently, during much of the strip’s run.[citation needed] Rube is Flo’s confidante, and the two often trade gossip over the clothesline about their husbands’ latest escapades. The local vicar is also often seen. Andy despairs of his holier-than-thou attitude, as he is constantly criticising Andy for his many bad habits and vice-ridden lifestyle. He often lets his opinion be known to Flo, who agrees with his low assessment of Andy’s character.

Flo’s mother, an unseen character only indicated by offstage speech balloons, often chimes into the conversation, mostly with sarcastic criticism of her son-in-law. Flo’s “mum”, whom Andy addresses only as “Missus”, is often the subject of Andy’s pointed barbs about her weight and less-than-sunny disposition, but she has been known to give as good as she gets. Andy’s mother was similarly mentioned and also delivered dialogue unseen, but her “appearances” were cut back significantly as the years went on. Andy’s father has also been mentioned. Flo has an older sister named Polly, who is also never seen. Andy had a pet whippet named Nancy.

Oil stabilizers and receiving spheres

Seal Sands oil refinery

Olympus E1 with Carl Zeiss Sonnar 180mm f2.8 lens

A little to the right

Same scene as previous just a little to the right to follow the smoke and slightly different processing.

Olympus E1 with Carl Zeiss 180mm f2.8 lens

I can now bring you even closer!

The chemical works again taken with my new (used) lens. I have bought a Carl Zeiss Sonnar 180mm f2.8 lens, which, when fitted to my Olympus E1 becomes a 360mm. So I can now bring you the old chemical works in glorious close up. Did I hear somebody groan?

Olympus E1 with Carl Zeiss 180mm f2.8 lens.

Headland lamp and Christ Church

Hartlepool, England

Olympus E1 with Carl Zeiss 180mm f2.8 lens

Pilot light

Hartlepool Headland

Olympus E1 with Carl Zeiss 180mm f2.8 lens

High tide at the old sewage pipe

Seaton Carew, Hartlepool

Olympus E1 with Zuiko 9-18mm lens

Rainbow

Rainbow over Seaton Carew

Olympus E1 with Zuiko 14-54mm lens

Gloves and saddle

Muscat, Oman

Olympus E1 with 9-18mm lens

The Motley Crew trying to look serious.

My grandkids in Wynyard Woodland

CanonG9

Footprints in the sand

North Gare, Hartlepool

Canon G9

Log on the beach

North Gare, Hartlepool

Olympus E1 with Zuiko lens